—heinduijnstee

designing for organisational beauty

  • purposeful social spaces
  • lines and spaces
  • defining borders
  • elements of organisational beauty
  • hein duijnstee

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Monthly Archives: June 2014

there is a moment a layer becomes a form in itself and by that its meaning changes

27 June 2014
purposeful social space
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purposeful social space 20140619

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layers and depth are interestingly linked in the purposeful social space

26 June 2014
purposeful social space
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only at the edges are the nontransparent layers of the space visible

25 June 2014
purposeful social space
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the archeology of the space: uncovering historic layers on which the future is built

16 June 2014
purposeful social space
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fragments and thin lines of layers add to the impression of the space

13 June 2014
Geen categorie
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the position of the layers of the space are mentally determined and that affects the roll of the designer

12 June 2014
purposeful social space
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a view from above may not reveal the complexity and richness of the underlying space as seen from a different angle

11 June 2014
Geen categorie, purposeful social space
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Recent Elements

  • the story about the purposeful social space continues
  • the space as a form made out of its environment
  • the line between layer and separator is a thin one in a space
  • there is a moment a layer becomes a form in itself and by that its meaning changes
  • layers and depth are interestingly linked in the purposeful social space
  • only at the edges are the nontransparent layers of the space visible
  • the archeology of the space: uncovering historic layers on which the future is built
  • fragments and thin lines of layers add to the impression of the space
  • the position of the layers of the space are mentally determined and that affects the roll of the designer
  • a view from above may not reveal the complexity and richness of the underlying space as seen from a different angle
  • the layers that make up the space are only visible when they do not completely overlap
  • the layers of space have a wide variation of attributes and character
  • an interesting purposeful social space has multiple layers that provide a rich environment
  • static and dynamic elements fuse into recognisable movement
  • the beginning and the end of movement in space through the same opening
  • a picture that implies that movement of stand point will change the view of the space
  • the shape of the word reinforces its meaning: new decorations of space
  • a snapshot of moving spaces can provide a sense of its dynamics
  • organisational innovation as movements through unfamiliar perspectives of space
  • the reality of fragmented impressions of the space, regardless of the intensions of the design
  • the sequence of impressions of movement in space is just a static representation of a dynamic experience
  • the experience of space is a continuum of sequential impressions while moving in that space
  • paralel spaces aimed towards the same purpose may deliberately forego the full social connections
  • Our standpoint determines our perspective of the space, the lines of the drawing do the same
  • purposeful social spaces are at the same time grounded and spatial
  • spaces that can be flipped and remain meaningful
  • the crashing forces to overcome with purpose in a social space
  • the symbolism of words in drawing the elements of the purposeful social space
  • the strange angles of overlap in the purposeful social space
  • stages of the evolution of space in three drawings bring forward the question: what is the space?
  • connections and shapes reach new levels of meaning in the purposeful social space
  • the perspective lines of complex spaces are not immediately straight forward
  • lines of perspective provide space in design as in reality
  • variations in density and thickness of lines with a similar pattern reflect in space differences
  • the edges of purpose create, implicitly and sometimes confusingly the spaces
  • space extension guided by a base-line of purpose and the dynamics of interaction
  • the degrees of freedom in the form are a result of purpose, paradoxically
  • activities may grow in space towards unsustainable dilutions
  • a tendency towards parallel connections drives the form of many organisations: silo’s
  • the lines of ordering space according to height and rectangles
  • the wonder of the nearly endless variations in the context of a focussed space
  • the line patterns for suburban space, functional but not outspoken
  • the beauty of simple forms adds to the expressiveness of the space
  • rural and urban spaces show different patterns of lines
  • elements on a piece of paper that create a perspective of space
  • the meaning of the space is not always obvious in the drawing
  • catching the evolving character of a purposeful social space in a static drawing
  • new links that grow into new meaning and space, deliberately and randomly
  • the tension between the designed representation and the reality is no excuse not to design
  • the many facets of interaction captured in the drawing of a space
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